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January+February 2015 Log

Posted by StepTb su febbraio 28, 2015

VIDEO:
Edge of Tomorrow (Doug Liman, 2014) [7+]
Der Golem, wie er in die Welt kam (Carl Boese, Paul Wegener, 1920) [7.5]
Tagebuch einer Verlorenen (Georg Wilhelm Pabst, 1929) [8]
The Wind (Victor Sjöström, 1928) [7.5]
Mission: Impossible – Ghost Protocol (Brad Bird, 2011) [5+]
Boyhood (Richard Linklater, 2014) [6.5] [even if Boyhood’s production idea is innovative and Linklater’s direction masterful, the script itself mainly displays a parade of stereotypes, from the violent stepfather figures to the idealization of college experience as a resolutory climax of sort. It doesn’t take risks (and its clear and simplistic political undertones work as a contradictory, limiting, negative force that seems to prevent it), and it doesn’t offer any particular insight into boyhood, male adolescence, or life in general. It’s a film as confused as its own characters, and nowhere near the masterpiece status critics have thrown at it. Just compare it to Les Quatre Cents Coups (1959) – case closed]
Kis uykusu (Nuri Bilge Ceylan, 2014) [7.5]
Machete Kills (Robert Rodriguez, 2013) [4]
Godzilla (Gareth Edwards, 2014) [6]
Grudge Match (Peter Segal, 2013) [6]
Sunrise: A Song of Two Humans (Friedrich Wilhelm Murnau, 1927) [8.5]
The Crowd (King Vidor, 1928) [8.5]
Where Eagles Dare (Brian G. Hutton, 1968) [7]
Two Mules for Sister Sara (Don Siegel, 1970) [6]
Joe Kidd (John Sturges, 1972) [6.5]
Thunderbolt and Lightfoot (Michael Cimino, 1974) [7.5]
Love and Death (Woody Allen, 1975) [7.5]
A Star Is Born (Frank Pierson, 1976) [4]
Coming Home (Hal Ashby, 1978) [7-]
The Incredible Hulk, s1 ep1 (Kenneth Johnson, 1977) [6.5]
Piranha (Joe Dante, 1978) [5]
Superman (Richard Donner, 1978) [7] [like it or not, you have to give this movie some credit; it was hard to do better, in 1978, with such a story. Donner’s direction is remarkable, and the film’s influence on virtually every following superhero movie, including the post-2000 ones, is undeniable. On top of that, Reeve was a perfect casting choice, and created “the” live action Superman icon]
Rocky II (Sylvester Stallone, 1979) [7]
10 (Blake Edwards, 1979) [6.5]
An Unmarried Woman (Paul Mazursky, 1978) [7-]
Kramer vs. Kramer (Robert Benton, 1979) [7]
Meatballs (1979) [6]
Breaking Away (Peter Yates, 1979) [6]
The Wanderers (Philip Kaufman, 1979) [7.5]
Return of the Secaucus 7 (John Sayles, 1979) [6.5]
Caddyshack (Harold Ramis, 1980) [7]
Superman II (Richard Lester & Richard Donner, 1980) [5]
Reds (Warren Beatty, 1981) [7]
Rocky III (Sylvester Stallone, 1982) [6.5]
First Blood (Ted Kotcheff, 1982) [7+]
Rambo 2 (George P. Cosmatos, 1985) [5]
Rocky IV (Sylvester Stallone, 1985) [5+]
Top Gun (Tony Scott, 1986) [7-]
Fatal Attraction (Adrian Lyne, 1987) [6.5]
Rambo III (Peter MacDonald, 1988) [5+]
Our Nixon (Penny Lane, 2013) [6.5]
Rollerball (Norman Jewison, 1975) [5]
Every Which Way But Loose (James Fargo, 1978) [5]
Sisters (Brian De Palma, 1973) [6]
Dressed to Kill (Brian De Palma, 1980) [8+]
Blow Out (Brian De Palma, 1981) [7]
Scarface (Brian De Palma, 1983) [8-]
Popeye (Robert Altman, 1980) [7]
Body Double (Brian De Palma, 1984) [8]
The Untouchables (Brian De Palma, 1987) [7+]
American Gigolo (Paul Schrader, 1980) [7]
The Shining (Stanley Kubrick, 1980) [8.5]
Body Heat (Lawrence Kasdan, 1981) [8+]
Excalibur (John Boorman, 1981) [7]
Tightrope (Richard Tuggle, 1984) [6]
Alien (Ridley Scott, 1979) [8.5]

BOOKS:
Karl Popper – Auf der Suche nach einer besseren Welt: Vorträge und Aufsätze aus dreissig Jahren [LINK Amazon, Italian edition] [9]
John Micklethwait & Adrian Wooldridge – The Right Nation: Why America Is Different [LINK Amazon] [7]

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